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Design for the Decoration of the Semi-Dome of a Church Apse.

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Summary

Workshop of Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Public domain photograph of church architecture design drawing, building plan, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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battista franco chalk drawings ink workshop of battista franco design decoration semi dome church apse church apse 16th century italian art historical images high resolution ultra high resolution engraving prints architectural drawings architecture architectural diagrams metropolitan museum of art medieval art italian renaissance apennine peninsula
date_range

Date

1545 - 1554
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in collections

Italian Prints

Set of random Italian prints from NYPL collection
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

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battista franco chalk drawings ink workshop of battista franco design decoration semi dome church apse church apse 16th century italian art historical images high resolution ultra high resolution engraving prints architectural drawings architecture architectural diagrams metropolitan museum of art medieval art italian renaissance apennine peninsula