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The Great Synagogue After 250 Years, Dukes Place, London, 1941 D2803

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code Related

Court of Exchequer, Westminster Hall (Microcosm of London, plate 25)

Court of Common Pleas, Westminster Hall (Microcosm of London, plate 23)

Study for Court of King's Bench, Westminster Hall, from Microcosm of London

The Great Hall, Bank of England (Microcosm of London, plate 7)

Pass-Room Bridewell (Microcosm of London, plate 12). Georgian era 1714 - 1737

The Long Room, Custom House (Microcosm of London, plate 28)

Horse Armoury, Tower of London (Microcosm of London, plate 101)

Bow Street Office (Microcosm of London, plate 11). Georgian era 1714 - 1737

Royal Cockpit (Microcosm of London, plate 18). Georgian era 1714 - 1737

Court of Kings Bench, Westminster Hall (Microcosm of London, plate 24)

description

Summary

Public domain image of a large historic building, city hall, urban architecture, free to use, no copyright restrictions - Picryl description

Thomas Rowlandson - English caricaturist of the 18th and early 19th centuries Britain, known for his humor, caricatures, satirical drawings, and watercolors, a popular artist in the Regency period in England.

English painter and caricaturist, Thomas Rowlandson (13 July 1756 – 21 April 1827) was noted for his political satire and social observation. The son of a tradesman, Rowlandson became a student in the Royal Academy. At age 16 he went to study in Paris. After establishing a studio as a portrait painter, he began to draw caricatures to supplement his income, and this soon became his major interest. Like other contemporary caricaturists, he produced erotica which was censured by the 1840s. He created comic images of familiar social types of his day and also wrote satirical verse under the pen name of Peter Pindar. His characters ranged from the ridiculous, pretentious, enormous bosoms and bottoms.

label_outline

Tags

rudolph ackermann john hill auguste charles pugin thomas rowlandson aquatint etching prints aquatint by john hill london 1770 1850 clarksville court kings bench kings bench westminster hall westminster hall microcosm london plate political cartoons 19th century georgian era british art england high resolution ultra high resolution british metropolitan museum of art
date_range

Date

1808
collections

in collections

Thomas Rowlandson

Georgian Era Satire
place

Location

create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore London 1770 1850 Clarksville, Microcosm, Auguste Charles Pugin

After Dinner, Thomas Rowlandson. Georgian era 1714 - 1737

Oriel College from "The Microcosm of Oxford: containing a series of views of the Churches, Colleges, Halls and other public buildings of the University and City of Oxford ... Accompanied with brief notices of Founders, ... and other subjects explanatory of the several drawings"

Comforts of Bath, Plate 8, Thomas Rowlandson. Georgian era 1714 - 1737

A Spanish Cloak, Thomas Rowlandson. Georgian era 1714 - 1737

How Happy Could I Be With Either, Were t'Other Dear Charmer Away

No. 5: Midshipman, Thomas Rowlandson

Image taken from page 138 of 'National History and Views of London and its environs ... from original drawings by eminent artists. Edited by C. F. P' (11010634444)

Gezicht op het Palace of Westminster gezien vanaf de Poets' Corner van Westminster Abbey

Image taken from page 265 of 'National History and Views of London and its environs ... from original drawings by eminent artists. Edited by C. F. P' (11010064826)

Four O'Clock in Town, Thomas Rowlandson. Georgian era 1714 - 1737

Picryl description: Public domain image of portrait, 18th century print, free to use, no copyright restrictions

Days of Prosperity in Gloucester Place or a Kept Mistress in High Feather

Topics

rudolph ackermann john hill auguste charles pugin thomas rowlandson aquatint etching prints aquatint by john hill london 1770 1850 clarksville court kings bench kings bench westminster hall westminster hall microcosm london plate political cartoons 19th century georgian era british art england high resolution ultra high resolution british metropolitan museum of art