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Related
Cod. Min. 53, Bd. 10, fol. 513r: Florilegium des Prinzen Eugen von Savoyen: Schwertlilie
Cod. Min. 53, Bd. 7, fol. 330r: Florilegium des Prinzen Eugen von Savoyen: Phyllitis scolopendrium - Hirschzungenfarn
Cod. Min. 53, Bd. 9, fol. 464r: Florilegium des Prinzen Eugen von Savoyen: Tagetes
Cod. Min. 53, Bd. 9, fol. 438r: Florilegium des Prinzen Eugen von Savoyen: Sedum majus arborescens - Baumsedum
Cod. Min. 53, Bd. 10, fol. 486r: Florilegium des Prinzen Eugen von Savoyen: Tulpen
Cod. Min. 53, Bd. 8, fol. 380r: Florilegium des Prinzen Eugen von Savoyen: Pfingstrose
Cod. Min. 53, Bd. 2, fol. 70r: Florilegium des Prinzen Eugen von Savoyen: Aquilegia - Akelei
Cod. Min. 53, Bd. 6, fol. 259r: Florilegium des Prinzen Eugen von Savoyen: Passionsblume
Cod. Min. 53, Bd. 10, fol. 487r: Florilegium des Prinzen Eugen von Savoyen: Tulpe
Cod. Min. 53, Bd. 10, fol. 506r: Florilegium des Prinzen Eugen von Savoyen: Asteriscus latifolius
Summary
Ganze Seite: Pflanzenstudie (“Asteriscus, latifolius, Autumnalis cornuti. Verge dorée à fleurs purpurines. Virga aurea patula, foliis auritis, floribus dilutè purpurascentibus. I.R. herb. 484.”) In: Florilegium des Prinzen Eugen von Savoyen. Paris, 3. Viertel 17. Jhd.
Compilation from Cod. Min. 53, vol. 2, fol. 57: Florilegium of Prince Eugene of Savoy and Cod. Min. 52, vol. 5, fol. 274r: Recueil d'oiseaux de la Menagerie Royale du Parc de Versailles, Paris, 3rd quarter of the 17th c. Österreichische Nationalbibliothek - Austrian National Library
This large AI-assisted collection comprises about 60,000 images of botanical drawings and illustrations. It spans from the 14th to 19th century. As of today, we estimate the total number of botanical illustrations in our archive as 200,000 and growing. The "golden age" of botanical illustration is generally considered to be the 18th and 19th centuries, a time when there was a great deal of interest in botany and a proliferation of botanical illustrations being produced. During this period, many of the great botanical illustrators of the time, such as Maria Sybilla Merian, Pierre-Joseph Redouté, and John James Audubon, were active and produced some of the most iconic and influential botanical illustrations of all time. In addition to being used for scientific purposes, botanical illustrations were also highly prized for their beauty and were often used to decorate homes and other public spaces. Many of the most famous botanical illustrations from this period are still admired and collected today for their beauty and historical significance. All large Picryl collections were made possible with the development of neural image recognition. We made our best to reduce false-positive image recognition to under 5%.
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