Similar
Triomftocht van Willem van Oranje, plaat d
Rama’s Coronation - A drawing of a man on a throne surrounded by other people
Plantarum effigies (Page 49) BHL8103648
Daniel Mignot, Three Brooches with Winged Snakes at Left and Right and Winged Griffins at Bottom, 1596, NGA 34840
Bruiloft te Kana, blad rechts - Rijksmuseum public domain dedication
Abraham de Bruyn, Mercury, 1569, NGA 11859
La doctrine des moevrs, tiree de la philosophie des stoiques, representee en cent tableavx et expliqvee en cent discovrs pour l'instruction de la ieunesse (1646) (14563940227)
Afrika - Public domain print
Pomona, or, The fruit-garden illustrated (Plate XXI) (7930046794)
Related
Leonardo Da Vinci Drawngs - Public domain portrait painting
Leonardo Da Vinci Drawngs - Public domain portrait drawing
Leonardo Da Vinci Drawngs - Public domain drawing
Leonardo Da Vinci Drawngs - Public domain portrait drawing
Leonardo Da Vinci Drawngs - Public domain drawing
Leonardo Da Vinci Drawngs - Public domain portrait painting
Leonardo Da Vinci Drawngs - Public domain scenic drawing
Leonardo Da Vinci Drawngs - Public domain drawing
Leonardo da Vinci - Public domain portrait engraving
Leonardo da Vinci - Characters & caricaturas / W. Hogarth fecit.
Summary
Print shows numerous faces drawn by English painter and cartoonist William Hogarth to illustrate what he considered the difference between "characters" (faces drawn from nature) and "caricaturas" (faces with exaggerated and grotesque features). He also includes copies of faces drawn by Raphael, Annibale Carracci, and Leonardo da Vinci. In the novel, Joseph Andrews, Henry Fielding makes the same distinction, citing the drawings of Hogarth to prove his point.
Caption continues: For a farther explanation of the Difference betwixt Character & Caricatura see ye Preface to Joh. Andrews.
Forms part of: Art Wood Collection of Caricature and Cartoon (Library of Congress).
Exhibited: Cartoon America: Highlights from the Art Wood Collection of Cartoon and Caricature, Library of Congress, 2006-2007.
Unprocessed in WOOD/Hogarth.69
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
- Characters & caricaturas - Library of Congress
- William Hogarth | Characters and Caricaturas
- Characters & caricaturas / W. Hogarth fecit. | Library of Congress
- Great Works: Characters and Caricaturas (1743) William Hogarth
- Characters & caricaturas / W. Hogarth fecit. - The Library of Congress
- Characters & Caricaturas. Original etching | William Hogarth
- William HOGARTH (after) - Characters and Caricaturas - Etching
- NPG D21371; Characters and Caricaturas' - Portrait
- WILLIAM HOGARTH. Characters and Caricaturas. Dated: 1743 ...
- Category:Characters and Caricaturas - Wikimedia Commons