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Materials and documents of architecture and sculpture - classified alphabetically (1915) (14774422815)
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SPLIT-Mausoleum 3D view - Public domain architectural drawing
Plan and Elevation of an Entrance
Tomb of Napoleon, 1913 - Public domain portrait drawing
Related
Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners
Elevation of a Catafalque: Two Pedestals with Candelabra at Sides; with Central Obelisk Surrounded by Candelabra.Verso: Sketch of architecture: archway and corner with pillars.
Elevation of a Catafalque: Two Pedestals with Candelabra at Sides; with Central Obelisk Surrounded by Candelabra. Verso: Sketch of architecture: archway and corner with pillars.
Elevation of a Catafalque: Two Pedestals with Candelabra at Sides; with Central Obelisk Surrounded by Candelabra.Verso: Sketch of architecture: archway and corner with pillars.
Triumphal arch covered in foliage with mounted troops below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Elevation of a Catafalque: Obelisks at the Corners and One in Center
Florentines plundering the Palazzo Medici. Plate 5, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel.
Design for the Facade of a Palace with the Coat of Arms of Pope Clement IX
Triumphal arch surmounted by a statue of Moses, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Catafalque for Pope Clement X: a central structure raised on a 15 stepped platform, with columns surmounted by elaborate candelabra at each corner
Summary
Picryl description: Public domain image of a portrait of a pope, Catholic church priest, free to use, no copyright restrictions.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Giovanni Battista Falda was an Italian architect, engraver, and artist. He is known for his engravings of both contemporary and antique structures of Rome. His works became particularly popular with the first waves of Grand Tour participants during the latter parts of the 17th century and Falda became a commercial success as a result. His works appealed to tourists keen to retain a detailed and accurate representation of those parts of Rome they had visited.