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Buddha with His Hands Raised in Dharmacakra Mudra, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript

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Summary

Buddha with his hands raised in dharmacakra mudra, preaching first sermon at Sarnath, attended by two disciples.

Pala period

Mandala is a representation of the universe and of enlightenment. In two-dimensional form, it looks as circles enclosed in squares drawing. Thangka and Mandala both belong to the visual category of the art of Buddhist enlightenment. Topics of thangkas include Buddhas, bodhisattvas, Dharma protectors, masters, mandala... Thangkas of meditation deities also serve as a tool for visualization during meditation, by helping the practitioner getting used to the different states of the mind. Dating back to the 7th century A.D, thangka painting is one of the greatest art forms of Asia. Thangkas are considered Buddhist iconography, each painting will symbolically represent divinities and passages based on the teachings of the Buddha.

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Tags

folios paintings palm leaf watercolors asia india or bangladesh pala period buddha hands dharmacakra mudra dharmacakra mudra leaf pancavimsatisahasrika prajnaparamita manuscripts 11 th century buddhism high resolution ultra high resolution metropolitan museum of art indian art
date_range

Date

1090
collections

in collections

Thangkas & Mandalas

Thangka and Mandala: The Art of Buddhist Enlightenment.
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Mudra, Dharmacakra, Pancavimsatisahasrika

Topics

folios paintings palm leaf watercolors asia india or bangladesh pala period buddha hands dharmacakra mudra dharmacakra mudra leaf pancavimsatisahasrika prajnaparamita manuscripts 11 th century buddhism high resolution ultra high resolution metropolitan museum of art indian art