Bacchanaal met dronken Bacchus en saters en maenaden

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Two Satyrs Fighting about a Nymph

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Glaspalast München 1883 0001

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A Bacchanal, Silenus supported by two bacchants in the centre, at right a female satyr reclining on a bed and another pulling the horns on a statue of Priapus, various other figures fill the composition

Le Satyre et l'enfant d'après Raphaël (Bartsch 281 - Bartsch illustré tome 26 (volume 14, 1ère partie), page 266)

Bacchanaal met dronken Bacchus en saters en maeneaden

Bacchanal with a Drunken Bacchus, and Satyrs and Maenads

Bacchanaal met dronken Bacchus - Drawing. Public domain image.

Hans Ulrich Franck - Bacchus met een drinkschaal en een Sileen

Bacchus met drinkschaal en druiventrossen

Bacchanaal met dronken Bacchus ondersteund door bacchanten en bediend door maeneaden. Vrouwelijke en mannelijke saters nemen deel aan het feest.

More: Italian Prints

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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prints paper engraving marcantonio raimondi dronken bacchus high resolution celebration male feast satyr fantasy creatures greek mythology drunk ancient greece italian art bologna renaissance art italian renaissance late renaissance rijksmuseum

1510 - 1527

Italian Prints

Set of random Italian prints from NYPL collection

Rijksmuseum

https://www.rijksmuseum.nl/

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")