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Procession of draped female dancers, women bearing baskets, and male musicians, at right a satyr lies bound on a pyre, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
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Related
Portret van Italiaanse humanist Gian Francesco Poggius Bracciolinus
Renato Maria Giuseppe Schifani, chief of the Italian
Italian Brig. Gen. Francesco Maria Ceravolo, Combined
Francesco Giuseppe Tozzoni, Italy
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Summary
Personificatie van de Astrologie. Een vrouw, zittend op een rotsblok en in haar hand een staf met een doek er omheen geknoopt. Naast haar een bol met de sterrenbeelden en een schedel.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
prints
paper
etching
drypoint
parmigianino
high resolution
woman
astrology
constellations
zodiac
allegories and personifications
personification
skull
engraving
late renaissance
mannerism
rijksmuseum
italian art
Date
1513 - 1540
in collections
Source
Rijksmuseum
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")