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Related
architecture from "Ährenlese"
Architecture from "Histoire d'Hesdin"
architecture from "Miscellaneous Poems"
Architecture from "Memorials of Holdenby"
Architecture from "Dumfriesshire Illustrated, etc"
Architecture from "Dumfriesshire Illustrated, etc"
Architecture from "Picturesque England, etc"
Architecture from "Picturesque England, etc"
architecture from "[London ... With ... illustrations.]"
architecture from "[The Lure of Venus; or, A Harlot's Progress: a heroi-comical poem [descriptive of Hogarth's prints].]"
Summary
This image has been taken from scan 000026 from "[The Lure of Venus; or, A Harlot's Progress: a heroi-comical poem [descriptive of Hogarth's prints].]". The title and subject terms of this image have been generated from tags, created by users of the British Library's flickr photostream.
A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image: having painted a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and rich allegory are reminiscent of John Bunyan's Pilgrim's Progress.
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- or, A Harlot's Progress: a heroi-comical poem [descriptive ... - PICRYL
- архитектура из "[Приманки Венеры; или Прогресс блудницы ...