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Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's Martyrdom of Saint Peter and Saint Paul (verso)
Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's Martyrdom of Saint Peter and Saint Paul (verso)
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Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso)
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Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's Martyrdom of Saint Peter and Saint Paul (verso)
Summary
Public domain photo of Antique sculpture, Europe, 16th-17th century, free to use, no copyright restrictions image - Picryl description.
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
parmigianino girolamo francesco maria mazzola
drawings
engraving
ink
prints
proofs
parmigianino girolamo francesco maria mazzola 1503 1540
saint peter
saint paul
printed fragment
caraglio s martyrdom
human figures
christ
eagles
jupiter
rogers fund
parmigianino
apparition
recto
printed
fragment
eagle
caraglio and
martyrdom
saint
paul
verso
16th century
jesus christ
italian art
historical images
high resolution
sculpture
renaissance art
italian renaissance
late renaissance
mannerism
metropolitan museum of art
medieval art
apennine peninsula
public domain christian images
Date
1503 - 1540
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")