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Raphael Morghen - Anton Raphael Mengs - Apollo and the Muses on Parnassus

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Summary

Public domain photo of Italian art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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anton raphael mengs raphael morghen engraving prints venice raphael morghen 1758 1833 anton raphael mengs 1728 1779 male nudes lyres women apollo harris brisbane dick fund after anton raphael mengs 1728 1779 rome muses parnassus 18th century italian art high resolution ultra high resolution mythology classical metropolitan museum of art apennine peninsula
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Date

1700 - 1800
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Italian Prints

Set of random Italian prints from NYPL collection
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Metropolitan Museum of Art
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Link

https://www.metmuseum.org/
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Raphael Morghen 1758 1833, Anton Raphael Mengs, Parnassus

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anton raphael mengs raphael morghen engraving prints venice raphael morghen 1758 1833 anton raphael mengs 1728 1779 male nudes lyres women apollo harris brisbane dick fund after anton raphael mengs 1728 1779 rome muses parnassus 18th century italian art high resolution ultra high resolution mythology classical metropolitan museum of art apennine peninsula