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Picryl description: Public domain image of renaissance painting, 15th-16th century, free to use, no copyright restrictions
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Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Summary
Public domain photo of a 3d object, Italy, free to use, no copyright restrictions image - Picryl description
Italian Renaissance painting is most often be divided into four periods: the Proto-Renaissance (1300–1425), the Early Renaissance (1425–1495), the High Renaissance (1495–1520), and Mannerism (1520–1600). The city of Florence is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting. From the early 15th to late 16th centuries, Italy was divided into many political states. The painters of Renaissance Italy wandered Italy, disseminating artistic and philosophical ideas. The Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna and Altichiero. The Early Renaissance style was started by Masaccio and then further developed by Fra Angelico, Paolo Uccello, Piero della Francesca, Sandro Botticelli, Verrocchio, Domenico Ghirlandaio and Giovanni Bellini. The High Renaissance period was that of Leonardo da Vinci, Michelangelo, Raphael, Andrea del Sarto, Coreggio, Giorgione, the latter works of Giovanni Bellini, and Titian. The Mannerist period, dealt with in a separate article, included the latter works of Michelangelo, as well as Pontormo, Parmigianino, Bronzino and Tintoretto.
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