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Aeneas and His Companions Sacrifice to the Gods before the Tomb of his Father, Anchises, in Sicily (Aeneid, Book V)

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Summary

Public domain reproduction of illuminated manuscript page, 14ht-15th century, free to use, no copyright restrictions image - Picryl description.

Italian Renaissance painting is most often be divided into four periods: the Proto-Renaissance (1300–1425), the Early Renaissance (1425–1495), the High Renaissance (1495–1520), and Mannerism (1520–1600). The city of Florence is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting. From the early 15th to late 16th centuries, Italy was divided into many political states. The painters of Renaissance Italy wandered Italy, disseminating artistic and philosophical ideas. The Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna and Altichiero. The Early Renaissance style was started by Masaccio and then further developed by Fra Angelico, Paolo Uccello, Piero della Francesca, Sandro Botticelli, Verrocchio, Domenico Ghirlandaio and Giovanni Bellini. The High Renaissance period was that of Leonardo da Vinci, Michelangelo, Raphael, Andrea del Sarto, Coreggio, Giorgione, the latter works of Giovanni Bellini, and Titian. The Mannerist period, dealt with in a separate article, included the latter works of Michelangelo, as well as Pontormo, Parmigianino, Bronzino and Tintoretto.

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Tags

master of the aeneid copper enamel enamels gilt metal painting plaques french aeneas companions sacrifice companions sacrifice gods tomb father anchises aeneid book v 16th century italian art 3 d object french paintings sailing ships ship illumination of books and manuscripts illuminated manuscripts metropolitan museum of art medieval art italian renaissance apennine peninsula french art france
date_range

Date

1530 - 1534
collections

in collections

Italian Renaissance

Italian Renaissance Painting
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Book V, Master Of The Aeneid, Anchises

Photo of Dish with sacrifice of Isaac - Public domain dedication

Photo of Adoration of the Magi - Public domain dedication

Benjamin Robert Haydon - Venus and Anchises - Google Art Project

Gold-Covered Plaque depicting Bernard Palissy, bronze, Sèvres porcellain manufactory

Nécessaire, 18th century, Staffordshire, England

Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)

US Navy (USN) Admiral William J. Fallon (foreground left) Commander, US Pacific Command (USPACCOM), shakes hands with USN CHIEF Electronic Technician (ETC) Scott Huss, stationed aboard the Wasp Class: Amphibious Assault Ship, USS KEARSARGE (LHD 3). ETC Huss was one of 14 KEARSARGE Sailors who renewed the oath of enlistment during a mass reenlistment ceremony held at"Ground Zero"the site of the World Trade Center attack in New York City, during Fleet Week New York 2006. Fleet Week is New York's celebration of the sea services honoring those who have made the ultimate sacrifice, during a week-long celebration of Memorial Day events, remembrances and services

Notre-Dame-de-la-Garde (La Bonne-Mère), Marseilles

Safety equipment. Rubber lifeboats. Aftermath. Safely back at base with their now historic rubber life raft which will be placed on permanent exhibition at the U.S. Naval Academy, Annapolis. Anthony J. Pastula, AOM2c, Gene D. Aldrich, RM3c, and Harold F. Dixon, ACMM. This picture was made weeks after their ordeal of thirty-four days in this tiny craft in which they sailed some 1200 miles after their Navy bomber was forced down in the South Pacific. Dixon has received the Navy Cross, his companions commendations for their exploits

Tea caddy (one of a pair), Staffordshire, England

Watch, 19th century, Paris, France

Schnapps glass (one of twelve), Nuremberg

Topics

master of the aeneid copper enamel enamels gilt metal painting plaques french aeneas companions sacrifice companions sacrifice gods tomb father anchises aeneid book v 16th century italian art 3 d object french paintings sailing ships ship illumination of books and manuscripts illuminated manuscripts metropolitan museum of art medieval art italian renaissance apennine peninsula french art france