A satyr discovering a sleeping woman; two crabs hanging from a rope which is strung between a term and a tree

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Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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A satyr discovering a sleeping woman; two crabs hanging
A satyr discovering a sleeping woman; two crabs hanging

marco dente giovanni giacomo de rossi antonio salamanca engraving prints satyr woman crabs two crabs rope term tree 16th century italian art high resolution ultra high resolution fantasy creatures greek mythology ancient greece renaissance art italian renaissance metropolitan museum of art medieval art apennine peninsula italy

1515 - 1526

Italian Prints

Set of random Italian prints from NYPL collection

Metropolitan Museum of Art

http://www.metmuseum.org/

Public Domain Dedication (CC0)