Similar
Pompe funèbre de très haut très puissant et magnifique seigneur clergé de France, décédé le 2 Novembre 1789, jour des trépassés.
Intermezzi MET DP826159 - Drawing. Public domain image.
Markt op de Place de la Madeleine in Parijs
Malot - En famille, 1893 p469 - Public domain book illustration
Le Cortège Triomphal de l'Empereur Maximilien Ier : Char avec siège d'une ville et chariots militaires (Dornik-Eger 36, Bartsch 81)
Francois Seraphin Delpech - Le Faubourg St. Germain. / N°3.
Willem Cornelis Rip - Paardenkoets en figuren op een straat
Honore Daumier - Allons donc.. que diable cocher..
Silhoue (CH 18168669) - Drawing. Public domain image.
Related
Two Horses Yoked to a Wagon, from A New Book of Horses and Carriages
Man Feeding Horses Yoked to a Carriage, from A New Book of Horses and Carriages
A Wagon Loaded With Timber, from A New Book of Horses and Carriages
A Post-chaise, from A New Book of Horses and Carriages
A Cabriolet or Curricle with a Man Holding Two Horses (A Post Chaise)
Staande man met stok en een koetsier voor twee aangespannen paarden
Man staand naast een paard met wagen
Jozef Israels - Paard en wagen met staande man
Man standing beside horse-drawn carriage sledge
A Man Standing By a Horse and Chaise or Cabriolet, from A New Book of Horses and Carriages
Summary
Public domain scan of 18th-century drawing, free to use, no copyright restrictions image - Picryl description
Thomas Rowlandson - English caricaturist of the 18th and early 19th centuries Britain, known for his humor, caricatures, satirical drawings, and watercolors, a popular artist in the Regency period in England.
English painter and caricaturist, Thomas Rowlandson (13 July 1756 – 21 April 1827) was noted for his political satire and social observation. The son of a tradesman, Rowlandson became a student in the Royal Academy. At age 16 he went to study in Paris. After establishing a studio as a portrait painter, he began to draw caricatures to supplement his income, and this soon became his major interest. Like other contemporary caricaturists, he produced erotica which was censured by the 1840s. He created comic images of familiar social types of his day and also wrote satirical verse under the pen name of Peter Pindar. His characters ranged from the ridiculous, pretentious, enormous bosoms and bottoms.
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