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A fountain (in terra cotta) by March of Thiercartenfelde, near Charlottenberg, Prussia.

description

Summary

Public domain illustrated book or album page scan, related to architecture, free to use, no copyright restrictions image - Picryl description

In the 13th century, the Teutonic Knights, an organized Catholic medieval military order of German crusaders, conquered the Polish region of Pomerelia with Gdańsk (Danzig). For centuries, Prussia successfully expanded its size by way of an unusually well-organized and efficient army. In the 18th and 19th centuries, Prussia entered the ranks of the great powers and exercised most influence. Prussia, with its capital in Königsberg and from 1701 moved to Berlin, shaped the history of Germany. In 1871, German states united to create the German Empire. In this imperial federation, the Prussian king was also the Emperor of Germany. The term "Prussian" has often been used, especially outside of Germany, to emphasize the professionalism, aggressiveness, militarism and conservatism of the Junker class of landed aristocrats in the East who dominated first Prussia and then the German Empire. In 1918, the monarchies were abolished, and the nobility lost its political power. In the Weimar Republic, the state of Prussia lost nearly all of its legal and political importance, however, from 1918 to 1932 it was a most promising democracy in German territories. Beginning January 1945, in a period of 15 weeks, about 1,000 vessels, including Germany's largest remaining naval units, transported 900,000 refugees and 350,000 soldiers across the Baltic Sea to Germany and occupied Denmark. The MV Wilhelm Gustloff was a German military transport ship which was sunk on 30 January 1945 by Soviet submarine S-13 in the Baltic Sea while evacuating German civilians, Nazi officials, and military personnel from Gdynia (Gotenhafen) as the Red Army advanced. At least 7,000 people died, which makes it the largest loss of life in a single ship sinking in history. The Gustloff was 13 miles off the coast of Pomerania. Barely 1,100 survived. The total number of Prussian 1945’s casualties is estimated 2 to 4 million, including those who fled the Soviet army during the last months of the war before the 1945 Treaty. The Prussian population fled, mostly to the Western zones. With the end of the Nazi regime in 1945, the areas east of the Soviet Zone of Occupation, Eastern Prussia, Western Prussia, and Silesia were handed over to Poland, including Danzig, Breslau, and Stettin.

The Exposition des produits de l'industrie française (Exhibition of Products of French Industry) organized in Paris, France, from 1798 to 1849 impressed the British public so much so that under increasing public pressure the British government reluctantly set up a Royal Commission to investigate the idea of London Exhibition. National pride dictated that the exhibition must bigger and better than anything French could organize. A competition to design an exhibition building was won by the firm of Fox and Henderson, with plans based upon a design by Joseph Paxton and adapted from a glass and iron conservatory produced for the Duke of Devonshire’s Chatsworth House. The design of the impressive glass and iron conservatory or Crystal Palace was amended to accommodate the Hyde Park's large elm trees. The building was 1,850 feet (564 m) long, and 108 feet (33 m) high. Shortly after the exhibition, the whole structure was removed from Hyde Park site and re-erected at Sydenham, then a sleepy hamlet in the Kent countryside, now a multi-ethnic part of South East London. The building was destroyed by fire on the 30th November 1936. The Great Exhibition was opened by Queen Victoria on 1st May 1851. The opening of the Great Expedition happened to coincide with the great innovation of the Industrial Revolution. The Exhibition of 1851 ran from May to October and was visited by six million people. The event became one of the defining points of the nineteenth century. The exhibits included every marvel of the Victorian age, including pottery, porcelain, ironwork, furniture, perfumes, pianos, firearms, fabrics, steam hammers, hydraulic presses and even the odd house or two. Although the original aim of the world fair had been as a celebration of art in industry for the benefit of All Nations, it turned into a showcase of British manufacturing: more than half the 100,000 objects on display were from Britain and the British Empire.

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Tags

decorative arts exhibitions great exhibition 1851 london england prints the miriam and ira d wallach division of art prints and photographs art architecture collection the industrial arts of the nineteenth century a series of illustrations of the choicest specimens produced by every nation at the great exhibition of works of industry 1851 ultra high resolution high resolution wyatt m digby matthew digby sir 1820 1877 author day son publisher lithographs chromolithographs illustrations fountain cotta thiercartenfelde charlottenberg prussia germany industrial arts great exhibition of works of industry digby wyatt great exhibition crystal palace exhibition grand international exhibition book illustrations architecture
date_range

Date

1851 - 1852
collections

in collections

East Prussia, 1870-1945

Place that shaped the history of Germany.

Crystal Palace Exhibition

The Great Exhibition of the Works of Industry of All Nations. Hyde Park, London, from 1 May to 15 October 1851.
place

Location

London
create

Source

New York Public Library
link

Link

http://digitalcollections.nypl.org/
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

label_outline Explore Cotta, Charlottenberg, The Industrial Arts Of The Nineteenth Century A Series Of Illustrations Of The Choicest Specimens Produced By Every Nation At The Great Exhibition Of Works Of Industry 1851

Topics

decorative arts exhibitions great exhibition 1851 london england prints the miriam and ira d wallach division of art prints and photographs art architecture collection the industrial arts of the nineteenth century a series of illustrations of the choicest specimens produced by every nation at the great exhibition of works of industry 1851 ultra high resolution high resolution wyatt m digby matthew digby sir 1820 1877 author day son publisher lithographs chromolithographs illustrations fountain cotta thiercartenfelde charlottenberg prussia germany industrial arts great exhibition of works of industry digby wyatt great exhibition crystal palace exhibition grand international exhibition book illustrations architecture