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A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14576977768)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14763626805)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14763275632)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14761226204)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14576906680)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14576929089)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14761222214)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14740613116)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14763254872)
A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910) (1909) (14763594275)
Summary
Identifier: catalogueofpictu00nati (find matches)
Title: A catalogue of the pictures and drawings in the National loan exhibition, in aid of National gallery funds, held in the Grafton Galleries, London (1909-1910)
Year: 1909 (1900s)
Authors: National Loan Exhibition (1909-1910 : London, England) Cook, Herbert Frederick, Sir, 1868-1939 Brockwell, Maurice Walter, 1869-1958 Grafton Galleries (London, England)
Subjects: Art
Publisher: London : W. Heinemann
Contributing Library: University of California Libraries
Digitizing Sponsor: Internet Archive
Text Appearing Before Image:
n the Collection of the Due dOrleans under the title of Mars etVenus li^s par IAmour, and in that of H. Elwyn. Subsequently in theCollection of Lord Wimborne. Signed on the base of the pedestal : PAVLVS VERONENSIS F. This is one of the twelve pictures by Paolo Veronese which were formerlyin the Palais Royal Collection. Of that number the Supper at Emmausis now in the Louvre, while the Unfaithfulness, Scorn, Respect, andHappy Union are in the National Gallery. Description des Tableaux du Palais Royal, 1737, p. 374. Engraved by Michel Aubert for the Recueil dEstampes of the CrozatGallery, Paris, 1729-42, tome ii. p. 67; also by Jacques Couchd for theGalcrie du Palais Royal, grav^c dapres les tableaux des differentes ecoles qui lacomposent, 1808, vol. ii. Plate VII. Buchanan: Memoirs of Painting, 1824, vol. i. p. 135. Waagen : Treasures of Art in Great Britain, 1854, vol. ii. p. 498. Exhibited at Burlington House, Old Masters, 1881, No. 146; 1903,No. 55. Lent by Asher Wertheimer, Esq. 79
Text Appearing After Image:
56VAN DYGK: 1599-1641 Flemish SchoolPORTRAIT OF A MAN HE is seen three-quarters to the right. He wears a dark doubletand cloak witli lace collar ; a gold chain is across his rightshoulder. The hilt of his sword is seen by his right side. Half-length figure. Canvas. 29 in. X 24 in. (0.737 X 0.61). Formerly in the Collection of Lord Oxenbridge at Gatton Park, whereit was described as the Portrait of Cassar de Cardenas, and attributed toVelazquez. A work of the painters Genoese period. This may be a portrait of Antonio Giulio, Marchese di Brignoie-Sala,whose features are known to us from the equestrian portrait in the PalazzoRosso, Genoa, and whose wifes portrait is in this Exhibition (No. 55 andNo. 58). Not previously exhibited. Lent by Francis Hi)ward, Flsq. 81
By the last decades of the 16th century, the refined Mannerism style had ceased to be an effective means of religious art expression. Catholic Church fought against Protestant Reformation to re-establish its dominance in European art by infusing Renaissance aesthetics enhanced by a new exuberant extravagance and penchant for the ornate. The new style was coined Baroque and roughly coincides with the 17th century. Baroque emphasizes dramatic motion, clear, easily interpreted grandeur, sensuous richness, drama, dynamism, movement, tension, emotional exuberance, and details, and often defined as being bizarre, or uneven. The term Baroque likely derived from the Italian word barocco, used by earlier scholars to name an obstacle in schematic logic to denote a contorted idea or involuted process of thought. Another possible source is the Portuguese word barroco (Spanish barrueco), used to describe an irregular or imperfectly shaped pearl, and this usage still survives in the jeweler’s term baroque pearl. Baroque spread across Europe led by the Pope in Rome and powerful religious orders as well as Catholic monarchs to Northern Italy, France, Spain, Flanders, Portugal, Austria, southern Germany, and colonial South America.
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