Similar
Mange barn deltar på skirenn i Vadsøs gater på 50-tallet. Havna med flere båter fortøyd ses i bakgrunnen. Personene er ukjent.
Money Tree Celebration, Trairatanaram Temple, Lowell, Massachusetts
Interiør fra forretning. Kure Elektriske Anøæg. Lamper mm.
Martin & Nuorteva on stand - Glass negative photogrpah. Public domain.
Reportage bollenvelden, Willem van de Poll
Reportage Semarang en omgeving, Indonesie onder Nederlands koloniaal bestuur
Martin & Nuorteva on stand - Glass negative photogrpah. Public domain.
Firehouse station number four. Washington, D.C. Clothes stall for the firemen
Related
Farhud mass grave - A black and white photo of a man standing in front of a fire
Serie Afdrukken ANEFO - A black and white photo of people standing on a train track
Black and white photo of several people posing for
이재희 - A black and white photo of a man and a woman
Dinar - A black and white photo of a person walking down a street
Desamparados 1880 - A black and white photo of people standing outside of a building
Franz Krull - A black and white photo of a man standing in front of a gate
И. Стравинский - A black and white photo of a man with glasses
Putilovskiy zavod - A black and white photo of people in a factory
A black and white photo of a person standing in front of a window, Great Depression. FSA/OWI Photograph
Summary
This image is one of the images made by photographers working in Stryker's unit as it existed in a succession of government agencies: the Resettlement Administration (1935-1937).
The photographs of the Farm Security Administration - Office of War Information Photograph Collection form an extensive pictorial record of American life between 1935 and 1944. This U.S. government photography project was headed for most of its existence by Roy E. Stryker, formerly an economics instructor at Columbia University, and employed such photographers as Walker Evans, Dorothea Lange, Russell Lee, Arthur Rothstein, Ben Shahn, Jack Delano, Marion Post Wolcott, Gordon Parks, John Vachon, and Carl Mydans.
The unit's main office was in Washington, D.C. The office distributed photographic equipment and film, drew up budgets, allocated travel funds, hired staff, developed, printed, and numbered most negatives, reviewed developed film, edited photographers' captions written in the field, and maintained files of negatives, prints, and captions.
Staff photographers were given specific subjects and/or geographic areas to cover. These field assignments often lasted several months. Rejected images were classified as "killed." In earlier phases of the project a hole was sometimes punched through the "killed" negatives; later, this practice was abandoned. The rejected images are usually near duplicates and alternate views of a printed negative.