Print, First View of Pyrmont in Waldeck, 1782 (CH 18418669)
Public domain scan - 18th-century landscape print, free to use, no copyright restrictions image - Picryl description
Print, Second View of Pyrmont in Waldeck, 1782 (CH 18418665)
Public domain image of painting, 18th century, free to use, no copyright restrictions - Picryl description
Print, View of Brincepeth Castle, 1782 (CH 18408455)
Public domain image of a historic building, 16th, 17th, 18th century architecture, free to use, no copyright restrictions - Picryl description.
Print, View of Castle-Rising, Castle, 1782 (CH 18408463)
Public domain image of painting, 17th-18th century, free to use, no copyright restrictions image - Picryl description
Print, View of Craigmillar castle, 1782 (CH 18408461)
Public domain photograph of 18th-century painting, free to use, no copyright restrictions image - Picryl description
Print, View of Eggleston Abbey, 1782 (CH 18408459)
Public domain image of painting, 18th century, free to use, no copyright restrictions - Picryl description
Bound Print, Plate 1, L’Air (The Air), Arabesques (Arabesques), 1782 (...
Title plate of a series of six numbered plates. Symmetrically-designed panel with grotesques, including two horn-blowing children standing on an eagle at lower center. Ornamental decoration includes birds, garl... More
Bound Print, Plate 4, L'Eau (The Water), Arabesques (Arabesques), 1782...
Plate 4 of a series of 6 numbered plates. Symmetrically-designed panel with grotesques. At lower center, two grotesque putti figures with swirling cartouche tails support a platter upon which stands a decorated... More
Bound Print, Plate 5, Vénus ou La Coquetterie (Venus or Vanity), Arabe...
Plate 5 of a series of 6 numbered plates. Symmetrically-designed panel with grotesques. At lower center, two grotesque putti, cartouches at their tails. Above, a pleated fan, upon which sit two kissing birds. A... More
Bound Print, Plate 6, Mars ou La Guerre (Mars or War), Arabesques (Ara...
Plate 6 of a series of 6 numbered plates. Symmetrically-designed panel with grotesques. At lower center, two crossed swords in shields over an ax. Swirling cartouches made of garlands at either side with sphinx... More
Bound Print, Plate 2, La Terre (The Earth), Arabesques (Arabesques), 1...
Plate 2 of a series of 6 numbered plates. Symmetrically-designed panel with grotesques. At lower center, a mask, with ribbons at its eyes connecting it to the body of a herm at center; the figure's tail forms t... More
Bound Print, Plate 3, Le Feu (The Fire), Arabesques (Arabesques), 1782...
Plate 3 of a series of 6 numbered plates. Symmetrically-designed panel with grotesques. At center, two humanoid figures support with their outstretched hands a platter upon which a woman stands at left and a ma... More
Francesco Piranesi - Print, Pope Pius VI (1775-1799), 1782 (CH 1855372...
Circular medallion portrait suspended from a bow knot. A table shows the inscription: "PIVS SEXTVS / PONT. MAX." It is topped by a wind god and and flower boughs, and a garland hangs over it.
Sampler (Germany), 1782 (CH 18616661)
Motifs at top, alphabets at bottom; originally probably part of a larger sampler.
Sampler (Portugal), 1782 (CH 18564203)
A vase of flowers and the inscription "O.T.M. Alumna da Escola de N S do Terço e Caridade 13-2-82" (Alumna of the School of Our Lady of Charity)
Sampler - Google Art Project (6851352)
Picryl description: Public domain photograph of fabric, textile pattern, free to use, no copyright restrictions.
Sampler - Google Art Project (6835370)
Public domain reproduction of illuminated manuscript page, free to use, no copyright restrictions image - Picryl description
Photo of Cache Pots, 1782 (CH 18395589) - Public domain dedication
Curved and shaped bowls, slightly flaring, on cavetto feet. Loop handles ending in leaves. Plum blossom relief on sides. Edges and leaf-forms on and below handles decorated with blue peigné and gold.
Cache Pots, 1782 (CH 18395589-2)
Curved and shaped bowls, slightly flaring, on cavetto feet. Loop handles ending in leaves. Plum blossom relief on sides. Edges and leaf-forms on and below handles decorated with blue peigné and gold.
Baptistry or Church Architectural Model, 1782 (CH 35460287)
In the form of an Italian Renaissance octagonal chapel with domed roof above two stories of windows within pediments on columns.
Skrivbord, 1782 - Hallwylska museet - 110104
Note: For documentary purposes the original description has been retained. Factual corrections and alternative descriptions are encouraged separately from the original description.Skrivbord, 1782. Nyckelord: F... More
Catedralplano 1782 - Architectural drawing, public domain image
Español: Plano de la Catedral de la Ciudad de Guatemala de 1782.
Book, Arabesques (Arabesques), 1782 (CH 18247221)
Bound volume of 6 ornamental grosteque etchings. Public domain reproduction of illuminated book or manuscript page, free to use, no copyright restrictions image - Picryl description
Book, Arabesques (Arabesques), 1782 (CH 18247221-3)
Bound volume of 6 ornamental grosteque etchings.
Book, Arabesques (Arabesques), 1782 (CH 18247221-2)
Bound volume of 6 ornamental grosteque etchings.
Sampler (Germany), 1782 (CH 18616813)
Vertical sampler with horizontal bands of pattern: a large fruit tree at the top; crucifixion in the center; alphabets and small geometric pattern bands at the bottom.
Sampler (Germany), 1782 (CH 18616813-2)
Vertical sampler with horizontal bands of pattern: a large fruit tree at the top; crucifixion in the center; alphabets and small geometric pattern bands at the bottom.
Textile, La Motte-Piquet sauve un convoi, 1782 (CH 18651509)
Principal scene is a battle at sea with ships firing at each other and other scenes are people on jetties, fortifications and scenes associated with ports. The building with the square tower is the chateau de ... More
Sampler, 1782 (CH 18697395) - Public domain dedication image
Sampler embroidered in silk in black, blues, golds and pinks on a natural linen ground. Bands of alphabets and numerals in cross stitch and eyelet stitch, the Lord's Prayer, a verse, and at the bottom, a portr... More