The heroic Charlotte la Cordé, upon her trial,... / Js. Gy., desn. et fect., British Cartoon Print

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The heroic Charlotte la Cordé, upon her trial,... / Js. Gy., desn. et fect., British Cartoon Print

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Summary

"The interior of the Revolutionary Tribunal crowded with figures. Charlotte Corday (right) stands at the bar, a raised circular stone platform, her wrists linked by a chain, addressing her judges (left), who listen with alarm, as do the the spectators and the two ruffians holding spears who stand behind her..." (Source: George)
This record contains unverified data from George.
Catalogue of Political and Personal Satires preserved in the Department of Prints and Drawings in the British Museum / by Mary Dorothy George, v. 7, no. 8336
de Vinck, 5352
Forms part of: British Cartoon Prints Collection (Library of Congress).
Exhibited: "Representing Revolution : French & British Images, 1789-1804" at the Mead Art Museum, Amherst College, Amherst, Massachusetts, Sept. 15-Nov. 1, 1989.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

date_range

Date

1700 - 1800
person

Contributors

Gillray, James, 1756-1815, artist
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Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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