Similar
Related
John Bull fighting the French single handed / P.F.L.B. fecit., British Cartoon Print
Summary
Print shows John Bull rapping a French soldier on the head with a cudgel, stomping on a French officer with his right foot, and using his left foot to kick the French nobility out of England and back to France during the Napoleonic era.
This record contains unverified, old data from an unpublished P&P checklist, "British Political and Social Cartoons, 1655-1832 ... not in the published catalogs of the British Museum," compiled in 1968 (NC 1470.M4. Vol.1).
Probably created 1803-1806.
Commercial blockade of England 1804-1805.
Not found in British Museum Catalogue (BMC).
Most images available on microfilm, "British Political and Social Cartoons, 1655-1832, not in the British Museum," produced by the Library of Congress Photoduplication Service, 1970 (Microfilm LOT 12022). Unpublished checklist provides captions for images on microfilm.
Forms part of: British Cartoon Prints Collection (Library of Congress).
It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.
Tags
Date
Source
Copyright info
