Fashion before ease;--or,--a good constitution sacrificed for a fantastic form / G.W. invt. [Gillray f.], British Cartoon Print

Similar

Fashion before ease;--or,--a good constitution sacrificed for a fantastic form / G.W. invt. [Gillray f.], British Cartoon Print

description

Summary

Cartoon showing Britannia clasping trunk of a large oak, while Thomas Paine tugs with both hands at her stay laces, his foot on her posterior. From his coat pocket protrudes a pair of scissors and a tape inscribed: Rights of Man. Behind him is a thatched cottage inscribed: Thomas Pain, Staymaker from Thetford. Paris Modes, by express.
Forms part of British Cartoon Prints Collection (Library of Congress).

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

date_range

Date

01/01/1793
create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

Explore more

paine thomas
paine thomas