[Dutch soldiers in a boat with slaves from the Colonies, Africa.]

Geoctroyeerde Westindische Compagnie, or Dutch West India Company, was a chartered company (known as the "WIC") of Dutch merchants. Among its founding fathers was Willem Usselincx (1567–1647). On June 3, 1621, it was granted a trade monopoly in the West Indies (meaning the Caribbean) by the Republic of the Seven United Netherlands and given jurisdiction over the Atlantic slave trade, Brazil, the Caribbean, and North America. The intended purpose of the charter was to eliminate competition, particularly Spanish or Portuguese, between the various trading posts established by the merchants. The company became instrumental in the Dutch colonization of the Americas. Some historians date the origins of the firm to the 1500s with arrivals of colonial settlers in what is now called New York long before the English at Jamestown, Virginia. The WIC was organized similarly to the Dutch East India Company (Dutch: Vereenigde Oost-Indische Compagnie, abbreviated as VOC). Like the VOC, the WIC company had five offices, called chambers (kamers), in Amsterdam, Rotterdam, Hoorn, Middelburg and Groningen, of which the chambers in Amsterdam and Middelburg contributed most to the company. The board consisted of 19 members, known as the Heeren XIX (the Lords Nineteen). The company was initially relatively successful; in the 1620s and 1630s, many trade posts and colonies were established. The largest success for the WIC in its history was the seizure of the Spanish silver fleet, which carried silver from Spanish colonies to Spain, by Piet Heyn in 1628; privateering was at first the most profitable activity. In 1629 the WIC gave permission to a number of investors in New Netherlands, which included New Amsterdam, covered parts of present-day New York, Connecticut, Delaware, and New Jersey. The settlers had little success with populating the colony of New Netherland, and to defend themselves against local Indians. The main focus of the WIC now went to Brazil and in 1630 the West India Company conquered a part of Brazil. Due to the Peace of Westphalia the hijacking of Spanish ships was no longer allowed. Merchants from Amsterdam and Zeeland decided to work with marine and merchants from Hamburg, Glückstadt (then Danish), England and other countries. In 1663 and 1664 the WIC sold more enslaved Africans than the Portuguese and English together. The first West India Company suffered a long agony and ended in 1674. The Collection includes Dutch maritime prints of the time period.

The collection assembled by H. J. Vinkhuijzen (1843-1910), a Dutch physician, and presented to the Library by Mrs. Henry Draper in 1911, consists in its entirety of over 32,000 pictures, from many sources, mounted in 762 scrapbooks. (The digital presentation will ultimately include them all.) The collection is remarkably diverse, depicting costume as various as the rough wool garments of Bronze age Etruscan warriors, the robes of Ottoman Turk court officials, and the elaborate uniforms of the preening armies of 19th-century Europe, the collection's special strength. The aesthetic quality of the images varies. There are prints seemingly cut from 17th-century festival books along with 19th-century chromolithographs, original watercolor compositions of some artistic merit, crude pencil drawings, and occasional photographs. Dr. Vinkhuijzen's usual strategy was to extract plates from illustrated books and magazines. He colored some of the printed images, and when printed images were lacking, drew others by hand. Some of the unsigned watercolors found in the collection may also be by him. He arranged his collection as loose images in boxes according to his own classification system; this organization is retained for browsing the digital collection. (Mounting the plates in scrapbooks was apparently accomplished by others after Dr. Vinkhuijzen's death.) The New York Public Library comprises simultaneously a set of scholarly research collections and a network of community libraries, and its intellectual and cultural range is both global and local, while singularly attuned to New York City. That combination lends to the Library an extraordinary richness. It is special also in being historically a privately managed, nonprofit corporation with a public mission, operating with both private and public financing in a century-old, still evolving private-public partnership. Last year, over 16 million New Yorkers visited the library, and over 25 million used its website. The NYPL Digital Gallery provides free and open access to over 640,000 images digitized from the The New York Public Library's vast collections, including not just photographs but illuminated manuscripts, historical maps, vintage posters, rare prints and more. Digital projects and partnerships at NYPL are managed by the Digital Experience Group, a 21-person team of programmers, designers and producers dedicated to expanding and enhancing all points of computer and Web-mediated interaction with the library's collections, services and staff.