Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and (14781764071)
Summary
Identifier: decorativetextil00hunt (find matches)
Title: Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile design Lace and lace making Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Company Grand Rapids, The Dean-Hicks Company
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library
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X o :i, xv c ^ x •= V Oj Ci- -t:x O 2^g- :^ oj ^ «j_ ^ K = = ;<I ~ -y: ^ RENAISSANCE TAPESTRIES lection (Plate II; also Plate I of Chapter XVI). These borderswere not flower-and-fruit borders, but compartment borders, eachcomijartment containing some allegorical figure, like Charity orPrudence, with the Latin name often spelled out beneath in Romanletters. Of these compartment borders there are two types, the ItalianRenaissance type as it came direct from the pencil of Giulio Romano,and the Flemish Renaissance type as it was modified in Flanders byFlemish designers and weavers. Distinctive of Flemisli designersand weavers is their l()\c for floriation and verdure. Of this thefamous Gothic miUc-jlvur.s are s^jlendid evidence. Consequently theywere not satisfied with the plain and bare backgroimds of the ItalianRenaissance compartments, but proceeded to fill them up withFlemish Renaissance fiowers and leaves. The border of Plate IIillustrates the Italian Renaissance type of compar
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