Bukarest. Eglise Donna Balascha. Bucuresci. Biserica Donna Balasa

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Bukarest. Eglise Donna Balascha. Bucuresci. Biserica Donna Balasa

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Title in Detroit Publishing Co., Catalogue J foreign section, Detroit, Mich. : Detroit Publishing Company, 1905: "Roumania. Bukharest. Church of Donna Balascha."
Print no. "16515. P.Z."
Purchase; Detroit Publishing Company; 1906; 42865.
Item removed from FOREIGN GEOG FILE - Romania Bucharest in 2017.
More information about the Photochrom Print Collection is available at http://hdl.loc.gov/loc.pnp/pp.pgz
Forms part of: Photochrom Print Collection.

The Detroit Publishing Company was started by publisher William A. Livingstone and photographer Edwin H. Husher. ln 1905 that the company called itself the Detroit Publishing Company. The best-known photographer for the company was William Henry Jackson, who joined the company in 1897. The company acquired exclusive rights to use a form of photography processing called Photochrom. Photochrom allowed for the company to mass-market postcards and other materials in color. We at GetArchive are admirers of their exceptional high-resolution scans of glass negatives collection from the Library of Congress. By the time of World War I, the company faced declining sales both due to the war economy and the competition from cheaper, more advanced printing methods. The company declared bankruptcy in 1924 and was liquidated in 1932.

Byzantine architectural and visual style was a style that existed with remarkable homogeneity within the Eastern Roman empire between the 6th century and until the capture of Constantinople by the Turks in 1453. The Byzantine style's presence extended to Greece. Through Venetians, who became Constantinople's archrivals, it spread to Italy, and Sicily, where it persisted almost intact through the 12th century and became a foundation for the Italian Renaissance. Preserved by the Eastern Orthodox church, the Byzantine style spread to eastern Europe, the Balkans, and particularly to Russia, where it remained, with little or no local modification, through the 17th century. Byzantine architecture and painting remained uniform in tradition rather than changed with time and personal expression. The result is a sophistication of style and spiritual expression not paralleled in Western art. As with all large Picryl collections, this one is made with the assistance of AI image recognition. It allows collections of sizes never seen before. We do our best to clean after AI as it is based solely on visual resemblance and we apologize if we missed a few images in the collection that do not belong to the Byzantine style.

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Date

01/01/1890
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Location

bucharest
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Source

Library of Congress
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No known restrictions on publication.

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