Morning after Snow, by Walter Elmer Schofield

Morning after Snow (1903), by Walter Elmer Schofield, Corcoran Gallery of Art, Washington, D.C.
Identifier: arttreasuresofwa00hend (find matches)
Title: The art treasures of Washington : an account of the Corcoran Gallery of Art and of the National Gallery and Museum, with descriptions and criticisms of their contents; including, also, an account of the works of art in the Capitol, and in the Library of Congress, and of the most important statuary in the city
Year: 1912 (1910s)
Authors: Henderson, Helen Weston, 1874-
Subjects: Art museums Art Art
Publisher: Boston : L. C. Page & Company
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries



Text Appearing Before Image:
e, the bassoon for anaccemt, calls upon the piccolo to carry an air; whilethe great burden of the theme is sustained by thestrings. l* After an April Shower by Charles MorrisYoung, is a recent purchase, representing the workof a third of the Pennsylvania landscape painters,who has devoted himself to the type known asthe paysage intime. The canvas is characteristicof Youngs poinl of view, which is sensitive andtemperamental, bringing the beholder at once underthe atmospheric spell of its locality. Of the present rapidly augmenting group ofAmerican landscape painters, Y >ung was a pioneerin tlie field of snow painting, and his firstCanvases, exhibited in the early nineties, were pic-tures «>t the Snowclad landscape in the vicinity of Philadelphia, or gleaned from the more picturesqueand varied surroundings of Gettysburg, his nativetown. Known a do/en v / as a painter of <now scenes, Young was again one of the first to depart from this uniformity of subject and to turn
Text Appearing After Image:
X u Contemporary Hmcrtcans 119 attention I more col mi ful tumii, spring, Or w inter OUl (>i d S -me J I ... in the painter, a richei nr and a mrc subtle quality of depth and atmospta ( )f late -ul)jecl appears h» tun e intei < ted him mere than formerly, and Ins most recent output is portraiture of the circumamidst which he now spends his life. Young has becoti ntially a painter of Penn- sylvania, through who tile landscape he occa . i bit of unmistakable architecturean old bi tain handsome old style not built more. His trees, roadways, redmills, barns, cedars, and stone fences all bespeak• to which they give character andr; while from the manner of treatment onecould well build up the kind of man SO intimately I by the familiar features of his environment. He :) for eccentric arrangement, hut Igain, and in a way very much his own. the lation of the various moods of nature by whichinfluent Vpril Lar ! the work inter in whose work the arrangementn of the canvas is it