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Identifier: famouspainterspa00shed (find matches)
Title: Famous painters and paintings
Year: 1876 (1870s)
Authors: Shedd, Julia Ann Clark, 1834-1897
Subjects: Painters Painting
Publisher: Boston, J. R. Osgood and Company
Contributing Library: New York Public Library
Digitizing Sponsor: MSN
Text Appearing Before Image:
posing. In the latter part of his life his works were oftenexecuted with careless haste, in order to raise money toretrieve his losses at the gaming-table. Among his early pictures is the Crucifixion of St.Peter, now in the Vatican, said to have been painted inimitation of the style of Caravaggio. In the gallery atBologna are three good specimens of his production atthis time, — the Madonna della Pieta ; the Crucifixion,in which the figure of the Virgin is one of his finestcreations; the Massacre of the Innocents, in which thefemale figures are beautiful. A picture representing St. Paul and St. Anthony isin the Berlin Museum. At a later time Guidos fondness for the powerfulbecame moderated, and a more simple and natural stylesucceeded, though unfortunately there exist but fewexamples of this period. His best picture is the Nativ-ity, in the choir of S. Martino at Naples, but it is anunfinished one. He had been invited to Naples, butwas driven away by the jealousy of the Neapolitans.
Text Appearing After Image:
THE NEW YORKPUBLIC LIBRARY ASTOR. LENOXriLDtN FOUNDATIONfl 1575.) GUIDO. 145 In this work tlicre is a Ijcauty and an artlcssncss whicharc not to be found in any other of his works. Anotlicr excellent specimen is the large painting onthe ceiling of the garden pavilion of the RospigliosiPalace in Rome; the god of day is seated on his chariotsurrounded by a choir of dancing Hours scatteringflowers. Among the latter arc some graceful figuresin beautiful action, and the whole is brilliantly colored.This picture is best known as Guidos Aurora. Another very pleasing work, apparently of his besttime, is his Concert of Angels, a fresco in the apsis ofthe Capella S. Silvia, near S. Gregorio, in Rome. Guidos pictures of a later time are of a pale silvery-gray, possessing less character, and an empty, ordinarykind of grace. One of the best of this class is perhapsthe Assumption, in the Munich Gallery. Another cele-brated picture, in the gallery at Bologna, is a Madonnawith Angels, called II Palli
By the last decades of the 16th century, the refined Mannerism style had ceased to be an effective means of religious art expression. Catholic Church fought against Protestant Reformation to re-establish its dominance in European art by infusing Renaissance aesthetics enhanced by a new exuberant extravagance and penchant for the ornate. The new style was coined Baroque and roughly coincides with the 17th century. Baroque emphasizes dramatic motion, clear, easily interpreted grandeur, sensuous richness, drama, dynamism, movement, tension, emotional exuberance, and details, and often defined as being bizarre, or uneven. The term Baroque likely derived from the Italian word barocco, used by earlier scholars to name an obstacle in schematic logic to denote a contorted idea or involuted process of thought. Another possible source is the Portuguese word barroco (Spanish barrueco), used to describe an irregular or imperfectly shaped pearl, and this usage still survives in the jeweler’s term baroque pearl. Baroque spread across Europe led by the Pope in Rome and powerful religious orders as well as Catholic monarchs to Northern Italy, France, Spain, Flanders, Portugal, Austria, southern Germany, and colonial South America.