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The grammar of ornament (1868) (14751292146)

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Identifier: gri_c00033125008700094 (find matches)

Title: The grammar of ornament

Year: 1868 (1860s)

Authors: Jones, Owen, 1809-1874 Waring, J. B. (John Burley), 1823-1875 Westwood, J. O. (John Obadiah), 1805-1893 Wyatt, M. Digby (Matthew Digby), Sir, 1820-1877 Bernard Quaritch (Firm), publisher

Subjects: Decoration and ornament Decoration and ornament Decorative arts

Publisher: London : Bernard Quaritch, 15 Piccadilly

Contributing Library: Getty Research Institute

Digitizing Sponsor: Getty Research Institute

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tect. He resided almostentirely at Eome, where he designed the fountain of the Barcaccia in the Piazza di Spagna, thecelebrated Triton in the Piazza Barberini, and the large fountains of the Piazza Navona; the Collegede Propaganda Fide; the great hall and facade of the Barberini Palace, facing the Strada Felice; acampanile to St. Peters (afterwards taken down); the Ludovico Palace, on the Monte Citorio; thecelebrated Piazza of St. Peters; and the great staircase from St. Peters to the Vatican, besidesnumerous other works. Busts by Bernini were eagerly sought after by the sovereigns and noblesof Europe; so much so, that when he was sixty-eight years of age, Louis XIV., who was unused tobe refused anything, and much less to be forced to beg, was actually obliged to write supplicatoryletters to the Pope, and to Bernini, requesting the sculptors presence at Paris. During his residencethere, though he did but little, he is said to have received five golden louis a-day, and at his departure

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Ornamental Composition, from a design by Le Pautre. fifty thousand crowns, with an annual pension of two thousand crowns, and one of five hundred forhis sons, who accompanied him. On his return to Eome he made an equestrian statue in honour ofI^uis, which is now at Versailles. Besides his works in architecture, sculpture, and bronze, he appearsto have had a decided mechanical turn; and, moreover, to have painted as many as five hundredpictures in the Case Barberini and Chigi. He died in the year 1680. Francesco Borromini was born near Como, in the year 1599. Apprenticed at an early age toCarlo Maderno, he speedily became both a brilliant carver and architect. On Madernos death he QQ 149 1: ITALIAN ORNAMENT. succeeded to the charge of the works at St. Peters under Bernini, with whom he very shortly quarrelled.From his fervid imagination and rare facility as a draughtsman and designer, he soon obtained ampleemployment; and in his capricious vagaries, every tendency to extravagance that

By the last decades of the 16th century, the refined Mannerism style had ceased to be an effective means of religious art expression. Catholic Church fought against Protestant Reformation to re-establish its dominance in European art by infusing Renaissance aesthetics enhanced by a new exuberant extravagance and penchant for the ornate. The new style was coined Baroque and roughly coincides with the 17th century. Baroque emphasizes dramatic motion, clear, easily interpreted grandeur, sensuous richness, drama, dynamism, movement, tension, emotional exuberance, and details, and often defined as being bizarre, or uneven. The term Baroque likely derived from the Italian word barocco, used by earlier scholars to name an obstacle in schematic logic to denote a contorted idea or involuted process of thought. Another possible source is the Portuguese word barroco (Spanish barrueco), used to describe an irregular or imperfectly shaped pearl, and this usage still survives in the jeweler’s term baroque pearl. Baroque spread across Europe led by the Pope in Rome and powerful religious orders as well as Catholic monarchs to Northern Italy, France, Spain, Flanders, Portugal, Austria, southern Germany, and colonial South America.

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Die Grammatik der Ornamentik 1868 Buchillustrationen die Architektur Dekorationsdesigns Musterdesigns Ornamente palazzo barberini Rom dekorative Kunst hohe Auflösung Barock Bilder aus dem Internetarchiv Italien
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1868
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Baroque

A triumphant, extravagant, theatrical and melodramatic style of art.
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Die Grammatik der Ornamentik 1868 Buchillustrationen die Architektur Dekorationsdesigns Musterdesigns Ornamente palazzo barberini Rom dekorative Kunst hohe Auflösung Barock Bilder aus dem Internetarchiv Italien