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Zusammenfassung
Identifier: englishflowergar00robi (find matches)
Title: The English flower garden and home grounds : design and arrangement shown by existing examples of gardens in Great Britain and Ireland, followed by a description of the plants, shrubs and trees for the open-air garden and their culture
Year: 1906 (1900s)
Authors: Robinson, W. (William), 1838-1935
Subjects: Flower gardening Plants, Ornamental Cottage gardening Gardens
Publisher: London : J. Murray
Contributing Library: The LuEsther T Mertz Library, the New York Botanical Garden
Digitizing Sponsor: The LuEsther T Mertz Library, the New York Botanical Garden
Text Appearing Before Image:
am, the surface of whichshould be a little below the level of theadjacent ground. Proper drainage isessential, but Crocuses delight in a uni-formly moist subsoil during their periodof growth. It is convenient to separatethe different species by strips of slate ortiles, buried below the surface, the cormsbeing planted about 3 in. deep. Amulching of rotted Cocoa-nut fibre orfinely sifted peat keeps the surface moist,and prevents the loam from clogging orcaking on the surface. At the time ofthe maturity of the foliage, generallyabout the end of May, water should bewithheld and the bed covered up andallowed to get quite dry till the end ofJuly, when a copious watering may begiven, or the pit may be exposed to rain. Of the earlier autumnal species suitablefor the open border the following may beenumerated for successional flowering :—■ C. Sc/iaroJa?ji, orange ; early in August. ,, vallicola., straw-coloured ; late inAugust and early in September. „ iiudijlorus, blue ; September.L L 2
Text Appearing After Image:
Crocus LejcorKyjicku CrociJ^ retlcuLatus THE ENGLISH FLOWER GARDEN. 517 C. pulchcUus, lilac ; Sept. and Oct. „ speciosus, blue ; Sept. and Oct. „ iridifloriis.1 blue ; Sept. and Oct. „ Sahmantii \ lilac or blue ; October „ Cliisi j and November. „ cancellatus ^ „ Cainbessidesi j-in the early autumn. „ hadriaticus JThese are succeeded by a long series oflate autumnal, winter, and early vernalspecies, which are grown to best advantagein a brick pit. Of the vernal species suitable for theborder, the earliest is C. Imperati., flower-ing in February, followed by C. susianus, or Cloth of Gold, in Feb-ruary. „ biflorus „ etruscus „ siiaveolens „ versicolor „ vernus Flower- „ Tommasiniaiius ing from „ dalmaticiis the end „ banaticiis of Feb- „ Sieberi and var. versicolor ruary to „ chrysanthus the first „ aureus week in „ sulphureus April. „ vars. pallidus and striatus ,, stcllaris „ Olivieri „ minimus Of the Crocuses recently introduced,many vernal
This large AI-assisted collection comprises about 60,000 images of botanical drawings and illustrations. It spans from the 14th to 19th century. As of today, we estimate the total number of botanical illustrations in our archive as 200,000 and growing. The "golden age" of botanical illustration is generally considered to be the 18th and 19th centuries, a time when there was a great deal of interest in botany and a proliferation of botanical illustrations being produced. During this period, many of the great botanical illustrators of the time, such as Maria Sybilla Merian, Pierre-Joseph Redouté, and John James Audubon, were active and produced some of the most iconic and influential botanical illustrations of all time. In addition to being used for scientific purposes, botanical illustrations were also highly prized for their beauty and were often used to decorate homes and other public spaces. Many of the most famous botanical illustrations from this period are still admired and collected today for their beauty and historical significance. All large Picryl collections were made possible with the development of neural image recognition. We made our best to reduce false-positive image recognition to under 5%.