Mine de Plomb - Portrait du peintre florentin Masaccio (1401-1428).

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Mine de Plomb - Portrait du peintre florentin Masaccio (1401-1428).

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Summary

Dessin provenant de l'album Destailleur, démonté en 1909, auparavant numéroté 182bis. Les dessins D.1333, 1332 et 1334 étaient montés sur la même feuille.
Signature de l'exécutant - Au recto du montage, en bas à gauche, manuscrit au crayon : " L. Hersent delt" (le "t" de "delt" est en exposant souligné).
Tampon - Au recto du dessin, au centre à droite, tampon ovale, à l'encre bleue : "COLLECTION / DESTAILLEUR / VILLE / DE / PARIS" (Cf. Lugt suppl. 668h).
Numéro d'inventaire - Au recto du dessin, en bas à droite, manuscrit au feutre rouge : "ie. D 1334".
Inscription concernant le modèle - Au recto du dessin, en bas au centre, manuscrit au crayon : "Masaccio - / Uffici".
Inscription concernant le modèle - Au recto du support, en bas à droite, manuscrit à l'encre noire : "Masaccio d'après un / portrait du mr des Offices" (le "r" de "mr" est en exposant souligné).
Portrait du peintre Masaccio (1401-1428). Buste, visage de trois-quart gauche, bonnet, pourpoint, cheveux mi-long.

Early Renaissance or Quattrocento (Italian mille quattrocento, or 1400) refers to the 15th century in Florentine art. Extraordinary wealth was accumulated in Florence among a growing middle and upper class of merchants and bankers. Florence saw itself as a city-state where the freedom of the individual was guaranteed, and where a significant share of residents had the right to participate in the government. In 1400 Florence was engaged in a struggle with the Duke of Milan. Then, between 1408 and 1414 again, by the King of Naples. Both died before they could conquer Florence. In 1425 Florence won the war against Milan. The Florentine interpreted these victories as signs of God's favor and imagined themselves as the "New Rome". In this new optimistic and wealthy environment, Florentine artists immersed themselves in studies of the humanities, architecture, philosophy, theology, mathematics, science, and design. They spurred a rejuvenation of the glories of classical art in line with the humanistic and individualistic tendencies of the contemporary era. Quattrocento was followed by the High Renaissance, North European Renaissance, Mannerism, and Baroque periods. Unlike the previous proto-renaissances, the innovations that emerged in Florence would go on to cause reverberations in Italy and Northern Europe, which continue to influence culture until today.

date_range

Date

1400 - 1430
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Source

Musée Carnavalet - Histoire de Paris
copyright

Copyright info

Public Domain Dedication

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