Public domain scan of a medieval manuscript, free to use, no copyright restrictions image - Picryl description.
Public domain photo of Italian sculpture, 16th century, free to use, no copyright restrictions image - Picryl description.
A British satire on an attempt by William Pitt and George Rose to transfer to excise law certain import duties; standing in opposition is Edward Thurlow. The central image shows Britannia, wrapped in a blanket More
Public domain reproduction of Italian art print, 16th-17th century, free to use, no copyright restrictions image - Picryl description.
Public domain photo of Italian sculpture, 16th-17th century, free to use, no copyright restrictions image - Picryl description.
Public domain image of figurative art, Europe, free to use, no copyright restrictions image - Picryl description
Print shows three groups of African women wearing the dress of upper class and lower class women, and a female slave with two children. Printed at bottom right: T. IV. No. XXIV. Trimmed to within the plate mar More
Cartoon shows the old courthouse in Philadelphia during the October 1, 1764 election where a line of men wait at the steps on the right to enter the courthouse and cast their votes; in the foreground, many men, More
Positive Photostat. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 143, Folder 14.
Print shows George III sitting at a table with the Queen and two of his daughters, and the Queen's Keeper of the Robes, Juliana Elizabeth Schwellenbergen holding a bottle of "Brandy", discussing the use of suga More
Print shows sailor on a slave ship suspending an African girl by her ankle from a rope over a pulley. Captain John Kimber stands on the left with a whip in his hand. Attributed to I. Cruikshank in BM CPPS. Cat More
The name of Robert Geer, name and number of the district, filled in in manuscript.; Not in Evans. Page Order: Folder Available also through the Library of Congress web site in two forms: as facsimile page image More
Anti-slavery.; Title. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. Printed Ephemera Collection; Portfolio 133, Folder 29.
Maps show percentages of African Americans in the United States between 1800 and 1890. Title from LOT 11931, no. 37; part title from item. Chart prepared by Atlanta University students for the Negro Exhibit of More
Public domain history book page scan, free to use, no copyright restrictions image - Picryl description
Imprint 2. Available also through the Library of Congress web site in two forms: as facsimile page images and as full text in SGML. 2 duplicate copies Printed Ephemera Collection; Portfolio 113, Folder 32. Copy More
Includes view of Count Maurice's gate near slave market. Illus. in: Journal of a voyage to Brazil, and residence there, during part of the years 1821, 1822, 1823 / Maria Graham. London : Longman, Hurst, Rees, O More
Illus. in: Journal of a voyage to Brazil, and residence there, during part of the years 1821, 1822, 1823 / Maria Graham. London : Longman, Hurst, Rees, Orme, Brown, and Green and J. Murray, 1824, p. 133. Possib More
In this typed copy of a letter to William Lloyd Garrison, Francis Wayland explains his reasons for requesting Garrison stop sending him the Liberator. Wayland states that while he "believe[s] as strongly as any More
Henry Egbert Benson writes to William Lloyd Garrison sending him money to pay for 8 subscriptions to the Liberator and 3 to the Abolitionist. Benson then mentions a "long letter from Friend [Arnold] Buffum .. r More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
Illustrations showing black fugitives wearing iron collars as punishment, two blacks wearing rain garments, and two slaves carrying tiles on their heads. Illus. in: Voyage pittoresque et historique au Brésil, d More
Illustrations showing men in chains (possibly fugitives or slaves) outside a tobacco shop; blind street singer; woman vendor selling food to men. Illus. in: Voyage pittoresque et historique au Brésil, depuis 18 More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
Illustration showing faces of black women slaves from various tribes reflecting different styles of dress and adornment. Illus. in: Voyage pittoresque et historique au Brésil, depuis 1816 jusqu'en 1831 ... / pa More
Print shows British and American soldiers in hand-to-hand combat during the Battle of Bunker Hill; among the soldiers depicted are Major General Joseph Warren, Captain Thomas Gardner, Major Andrew McClary, Colo More
Thomas Fowell Buxton writes to William Lloyd Garrison thaking him for the letter introducing him to Robert Purvis and saying that while he only was able "to see him for a few moments," Purvis offered to bring t More
James Cropper writes to William Lloyd Garrison after receiving a bound volume of the Liberator for 1833 and telling him that he had subscribed through Joseph Sturge to receive the Liberator regularly. He then p More
This image has been taken from scan 000158 from "A Voyage to Barbary, for the Redemption of Captives; performed, in 1720, by the Mathurin-Trinitarian Fathers, Fran, Comelin, Philemon de la Motte, and Jos. Berna More
This image has been taken from scan 000008 from "A Voyage to Barbary, for the Redemption of Captives; performed, in 1720, by the Mathurin-Trinitarian Fathers, Fran, Comelin, Philemon de la Motte, and Jos. Berna More
Ellis Gray Loring writes to William Lloyd Garrison "in behalf of Susan Cabot, a sister of our friend Mrs. Follen, & a firm supporter of the abolition faith." Loring asks Garrison to write a letter of introducti More
This image has been taken from scan 000018 from "A Voyage to Barbary, for the Redemption of Captives; performed, in 1720, by the Mathurin-Trinitarian Fathers, Fran, Comelin, Philemon de la Motte, and Jos. Berna More
Sophia Davenport writes to Caroline Weston in regards to her journey to St. Louis. She discussed slavery with James Clark and his mother, who visited the south and believes "after she had been there a short tim More
This image has been taken from scan 000187 from "A Voyage to Barbary, for the Redemption of Captives; performed, in 1720, by the Mathurin-Trinitarian Fathers, Fran, Comelin, Philemon de la Motte, and Jos. Berna More
James Frederick Otis writes to William Lloyd Garrison asking for "the best arguments against the payment, remunerative compensation of slaveholders, in care of abolition. Where is what you have written & said o More