Satellite science fiction 195610

The futurism movement looked at how the imagined future would have looked like for people during and prior to the 1960s (think of it as us looking at people from the past, who are looking back at us, who are from the future, or our present moment). Retrofuturism, on the other hand, combines elements of the past and the future in a nostalgically idealized vision of what the future could have been. It is characterized by a fascination with futuristic technology and design from the past, often depicted in science fiction literature and art, and a desire to recreate or reimagine that vision in the present. Retrofuturism often includes elements of science fiction, nostalgia, and a sense of longing for a future that never came to pass. It can be seen in various forms of media, including literature, film, television, art, and design, and has had a significant influence on popular culture. The dubious origins of the term indicate that it was first used by Lloyd Dunn in 1983 as presented by the Fringe Art Magazine (1988 to 1993). Other indications mention it was also utilized by the author T.R. Hinchcliffe in his book titled, Retro-futurism (1967), which was published by Pelican Books. However, there are various sources that indicate the book does not exist and some sources provide evidence that it does.

Ed Emshwiller was an American visual artist, filmmaker, and writer who was born on 16 February 1925 in Lansing, Michigan, and died on 27 July 1990 in Valencia, California. He is best known for his pioneering work in experimental film, video art and computer-generated art. Emshwiller studied at the University of Michigan before serving in the US Army during the Second World War. After the war, he attended the Art Students League of New York and began working as a freelance illustrator for science fiction magazines such as Galaxy and Astounding Science Fiction. He also created covers for books by authors such as Isaac Asimov and Ray Bradbury. In the 1960s, Emshwiller began to experiment with film and video, creating works that explored the boundaries between reality and illusion, and between the natural and the artificial. He was one of the first artists to use video technology to create abstract images and to manipulate images in real time. Emshwiller's films and videos have been shown at major museums and festivals around the world, including the Museum of Modern Art in New York, the Whitney Museum of American Art and the Venice Biennale. He has also been a professor of film at the California Institute of the Arts. In addition to his work in film and video, Emshwiller was an accomplished writer, publishing several novels and short stories. He received a Guggenheim Fellowship in 1974 and a grant from the National Endowment for the Arts in 1981. Today, Emshwiller is recognised as a pioneer in the field of experimental film and video art, and his work continues to influence contemporary artists working in these media.

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