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Summary
From 'Street Life in London', 1877, by John Thomson and Adolphe Smith:.. Then there is something irresistible in the bright glitter of his eyes, in. his cheerful gait, and his fascinating manners; While English mendicant is coarse, ungainly, dirty, rude of speech, unartist-like in his appearance, out of tune when he sings, vulgar in all his deeds, and often bears the stamp of a hopeless drunkard. This perhaps explains how it is that Italians, sons of peasants, agricultural labourers, and others who might lead respectable lives in their own country, prefer to come over to England where they are sometimes treated as mere beggars. They find that a beggar in England is richer than a labourer in Italy; and if he be not equally prosperous it is because he is not equally abstemious and economical. The Italian, therefore, migrates with the knowledge that he may rely on the generosity of the English, and that, if he only receives as much as many of the English poor, he may hope to save enough to buy himself a farm in his own country. They arrive, therefore, in shoals, and seeing how their presence is appreciated, do not realize the somewhat humiliating character of their avocation..Many, on the contrary, proudly claim a right to be ranked above the mendicant class. They urge, and to a certain extent justl y, that they are of use to the community; that, as a rule, their performance, whether with the barrel-organ, the piano-organ, the harp, fiddle, or other instrument, gratifies the majority of their hearers, and propagates the love for music among the poor. The only difference, so far as the political economy of the case is concerned, between them and actors and professional singers is the fact that they impose themselves on the public by performing in the street, and have to solicit, cap in hand, their reward. Otherwise, they argue, that they simply cater for the public amusement; that if their performance is of a very inferior character to what may be heard in concert-rooms or theatres, they consequently receive very inferior pay. This is in fact but a mere question of supply and demand."..For the full story, and other photographs and commentaries, follow this link and click through to the PDF file at the bottom of the description.archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&i... ( http://archives.lse.ac.uk/Record.aspx?src=CalmView.Catalog&id=SR+1146 )
The project “Street Life in London’ was created in 19th century by the radical journalist Adolphe Smith and the photographer John Thomson. The monthly magazine, that was publishing from 1876 to 1877 included texts and images of people on the London’s streets. That was a new genre of social documentary photography, which preceded the appearance of photojournalism. Their work captured the life of ordinary people who eked out a precarious and marginal existence. There were shoe-blacks, chair-caners, musicians, flower-sellers, and many others. The interest to the urban poverty gives the authors the reputation of the pioneers in photojournalism and their project now considered as a classic instance of social documentary. Later, in 1878, the photographs were published in book form. The verses of this book were scanned and now stored in British Library of Political and Economic Science, which is located in London. John Thomson was a talented and influential photographer, who had spent ten years travelling in, and taking photographs of, the Far East. On his return to London he joined with Adolphe Smith, a socialist journalist, in a project to photograph the street life of the London poor. The volumes were published in monthly parts as Street Life in London, and were an early example of social and documentary photography. Street Life in London, published in 1876-7, consists of a series of articles by the radical journalist Adolphe Smith and the photographer John Thomson. The pieces are short but full of detail, based on interviews with a range of men and women who eked out a precarious and marginal existence working on the streets of London, including flower-sellers, chimney-sweeps, shoe-blacks, chair-caners, musicians, dustmen and locksmiths.
Street musicians are musicians who perform in public places, often on the street. Street music can take many forms, ranging from traditional instrumental music to modern pop songs. Street musicians may play for tips from passersby, or they may be part of a larger street performance or event. Some street musicians are highly skilled and have been trained in music, while others may be self-taught or play more informally. Street music is often an important part of the cultural life of a city or town, and it can add to the vibrant atmosphere of public spaces.
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