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Good grades and good health go together City of Chicago Municipal Tuberculosis Sanitarium :PGet your test now.
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A black and white photo of a man wearing a hat. Great Depression FFSA / OWI Negatives
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INF3-249 Anti-rumour and careless talk That kind of talk often leads to factories being bombed
Pre-WWII collection of Farm Security Administration - Office of War Information
El deficit, hijo del gobierno y de la camara
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Summary
lithographie
Public domain scan of French poster, advertisement, free to use, no copyright restrictions image - Picryl description
Prior to the introduction of lithography, primary poster printing techniques included the Wood Block technique and the Intaglio technique. Lithography was invented by Alois Senefelder in Germany in 1796, but not utilized until the mid-to-late 1800s until the introduction of “Cheret’s three stone lithographic process.” Three stones were used to create vibrant posters with intense color and texture. The stones used were typically red, yellow or blue, which enabled the artist to produce a poster featuring both graphics and text using any color of the rainbow. The main challenge was to keep the images aligned. This method lent itself to images consisting of large areas of flat color and resulted in the characteristic poster designs of this period. The first “Art Nouveau” poster was made by Chezch artist Alphonse Mucha who worked in Paris. Art Nouveau and Belle Epoque dominated Paris until about 1901. In 1898, a new artist took Paris by storm, who would later be donned the father of modern advertising – Leonetto Cappiello.
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