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Picryl description: Public domain image of portrait, 16th-17th century print, free to use, no copyright restrictions
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Fortitude, Parmigianino. Girolamo Francesco Maria Mazzola, Italian.
Summary
Allegorical print showing a woman as Fortitude, one of the cardinal virtues, snapping off a portion of a pillar.
Title from Graphic sampler / compiled by Renata V. Shaw, Prints and Photographs Division. Washington : Library of Congress, 1979, pp. 24-28.
Attributed to Ugo da Carpi and Vicentino.
After Parmigianino (1503-1540).
Republished by Andrea Andreani (1560-1623).
Print originally part of Pembroke album, no. 33.
Graphic sampler, p. 26, no. 33
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
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