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Remarkable Characters at Mrs Cornellys Masquerade (BM 1868,0808.9874)
Malichus aan het strand door een viertal krijgslieden gedood
De doktoren Raasbollius en Urinaal twisten in de herberg van Loenen over de loop van de planeten, terwijl Eelhart zittend aan tafel toekijkt. Boven de deur hangen de portretten van Copernicu, NL-HlmNHA 1477 53013167
Silenus Alcibiadis, sive, Proteus - vitae humanae ideam, emblemate trifariàm variato, oculis subijciens (1618) (14768023203)
Veduta della porta nomentana moderna--detta Porta Pia
For dalla porta pia (Villa outside the Porta Pia)
The Rest on the Flight into Egypt (with a Truncated Pyramid on the Right)
Landschap met herder en kudde schapen bij water
Vue de Cadix/Le fort du Trocadéro vient d'être emporté, le Prince Généralissime ordonne la construction d'une batterie sur la pointe du/Malagorda.le Brick françaisla Lilloise, commandé par le lieutenant de Vaisseau Lemasan, entre dans le port de Cadix...
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A rowboat full of men in center, a group of men standing on shore at left, a ship full of men, one firing a pistol, at right, from 'Set of eight nautical landscapes' (Suite de huit Marines)
Combat between several rowboats and ships, two groups of men in rowboats fighting to left, two ships full of combatants to right, other ships and clouds of smoke in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines)
Een aangemeerd bootje op een vaart. In het bootje een schipper met manden. rechts een mannetje met een mand op zijn rug. Links op de vaart een tweede bootje met schipper, NL-HlmNHA 1477 53010902
A galley embarking at center, seen from behind, the stern of another galley to right under a fire, eight men in a rowboat to left, from 'Varie figure'
Two men sitting to right, one man is smoking, five men standing in center, the bow of a ship on shore to right, two other ships to left in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines)
A galley arriving at port to left, several rowboats in center, ships at port to right, from 'Set of eight nautical landscapes' (Suite de huit Marines)
View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne)
A naval battle, a rowboat full of men to left, a sinking ship to right, two galleys battling in center, other ships battle to left in the background, from 'Various landscapes' (Divers paysages)
Men on the deck of a ship. Line of shipboard cannons.
A rowboat full of men at right, a ship with men descending into a rowboat behind to left, two men with a shotgun on a ship to left, another ship to far right in the background, from 'Set of eight nautical landscapes' (Suite de huit Marines)
Summary
Stefano della Bella (Italian, Florence 1610–1664 Florence)
Public domain scan of Italian 17th-century print, free to use, no copyright restrictions image - Picryl description
Florentine artist Stefano Della Bella was among the best etchers of the Italian Baroque. He created about 1,050 prints and thousands of drawings. His earlier work was greatly influenced by the French Jacques Callot (1592-1635) who worked for the court of the Medici. Three of Stefano’s older brothers were artists. Della Bella probably learned etching from Remigio Cantagallina (1582/3-1656), who had been Callot’s teacher. Della Bella’s earliest prints date from around 1627. Della Bella received the patronage and a stipend from Lorenzo de’ Medici and studied in Rome. In 1639 he journeyed to Paris where Della Bella collected prints by Northern European artists, copied works by Rembrandt. He received commissions from Cardinals Richelieu and Mazarin. His prints were innovative, seeming to look forward to the Rococo. Della Bella also engraved views of Paris. He visited Amsterdam in 1647. French anti-Italian feeling during the Fronde and the death of Mazarin during the late 1640s led to della Bella’s return to Florence. Della Bella produced some of his best work after his return. Della Bella is known to have illustrated some discoveries for Galileo and depicted Hansken the famous elephant, when dead. In his final years, he produced a number of prints experimenting with tonal effects attempting to achieve drawing effects in etching. In 1661 he appears to have suffered a stroke, after which he produced little work.